Mead and the Medieval Feast

Stanford’s Home of Mead and the Harvest Kitchen celebrated the revelry of the Middle Ages

Noble knights and their lovely ladies descended upon Stanford Harvest on Friday, 27 July, for the launch of a ‘Meadieval’ Feast during the Blood Moon eclipse. The decor consisted of flags, shields and weapons, and long wooden tables decked with earthenware, goblets and candles. Outside, the fire pits, stocks and banners transformed the restaurant and surrounds into a magical, medieval setting filled with magic and excitement.

Going Medieval at Stanford Harvest

Young maidens welcomed the noble guests with song and dance on the lawns, whilst wandering minstrels serenaded the handsome crowd. All enjoyed the sunset whilst sipping Athol McOnie’s centuries-old, family recipe for Mead, described as the Drink of Gods.

The staff of Stanford Harvest together with Viv & Athol looked striking in their cloaks, masks, tights and hats. Raucous laughter could be heard as more people arrived, dressed in magnificent costumes, wearing crowns and jesters’ colourful, pointy hats. The mood for revelry was set!

And then the Vikings arrived! Outrageous and strapping men carrying long staffs with horns, and sexy warrior women, rolled in looking like they stepped off the set of Game of Thrones.

The Vikings arrived

Royal trumpet fanfare announced the arrival of King Peter & Queen Jami from Castle Herriot descent as they made their way to the top table, lording it over the wenches and lackeys.

Queen Jami and King Peter from Castle Herriott

Viv McOnie and her kitchen team spoilt everyone with a magnificent spread of four courses – most would gladly pay double for that meal. Athol kept the mead flowing, made from bee hives kept on the farm.

Belly dancer, Alyssa Bellingan, and troubadours, Jerry Fourie and John Gnodde, entertained throughout the evening. Guests took home prizes for best dressed, best morale, best cleavage, best limerick, scariest outfit and cutest couple.

Revelry and shenanigans

Stanford Harvest knows how to throw a bash that will live on in the memory books. Book now for birthdays, stag nights, bachelorette parties and end-of-year functions. The Stanford Harvest Team will work its magic to conjure up the most fun you can have in one place. Contact us on 083 409 8126

Words by Janet Marshall and Phil Murray

Herfsfees, 6-7 April 2018

Vibrating with autumn colours

This was the first year that a small vibrant group of like-minded people launched the Stanford Herfsfees, a new arts festival for Stanford with the goal of reaching deep into our community and uplifting all with art, music and creativity. The line-up was generous, starting with a week-long arts and crafts workshop run by local NPO, Creative Skills Factory, which climaxed at the parade to launch Herfsfees on the  Friday evening. The spirit and exuberance of the minstrels was intoxicating as people joined in the revelry of music and dance, and followed the Baruch performers through the village. Children wore the outfits and masks that they had had been making all week.

The Baruch Entertainers were invited to Herfsfees to help launch the Friday evening carnival to rounds of applause. Villagers and children joined in the parade as they danced, jived, drummed, trumpeted and entertained their way from the Community Centre to the NGKerk garden, homebase of the newest Arts Festival in Stanford. The Herfsfees has its heart deeply rooted in the Stanford community, and plans to grow the annual Herfsfees event with an ongoing community arts programme that is run year-round in tandem with Creative Skills Factory.

Not only will the ongoing arts programme focus on Stanford children, and keep them educated, exposed to the arts, entertained and off the streets, it also hopes to negotiate a mentorship of a minstrel band in Stanford with the Baruch Entertainers, Carnival Champions of the Cape Town Carnival 2018. Baruch is committed to improving the social situation in communities through music tutoring and workshops, and organizers of the Herfsfees are already discussing ongoing collaboration between Stanford and Baruch.

Herfsfees also included a food market at the NGKerk, and a band line-up to die for! Tribal Echo stole the hearts all the audience on the Friday Night with their funky local flavour and cool drums, trombone and energy, while Mr Cat and the Jakkal had everyone dancing. Ibuyambo, Hatchetman, the Nick Turner Band, Dax Butler and the Hearts of Darkness, Taleswapper, The Time Flies and Gert Vlok Nel, along with DJChina had the village dancing to their beat. Various venues hosted different bands, and buskers kept the day time visitors entertained. Nick Turner, Tribal Echo and Ibuyambo offered free workshops on the Saturday – such generosity of intention and sharing of the delights in the arts made Stanford a warm and welcoming festival venue.

Photograph: Taylum Meyer

Thank you to the organizers who poured their hearts into this event, to the venues who hosted musicians, to the businesses and individuals who invested in earlybird tickets, to the Cape Whale Coast office of the Overstrand Municipality who contributed towards the Creative Works craft workshops, those who donated supplies, to the musicians and artists, and to all those who bought tickets and supported this event. Well done Herfsfees 2018! We can’t wait to see what Herfsfees 2019 will bring.

Photograph: Lloyd Koppel

Words by Phil Murray

Watershed rocking the Hills

Watershed started their ‘short, and very sweet’ April Road Tour on the lawn of the Tasting Room at Stanford Hills Estate on Easter Sunday. Easter is traditionally a day spent with family; in my family, we don’t go beyond the garden perimeter which is scoured for chocolate in the early hours, and casually rescanned throughout the day for any escapee eggs. This year, Easter Sunday also fell on April Fools Day. These factors might have made a live performance, in the late afternoon, a fairly hard sell for a live concert. Was it all a joke? We know Sunday concerts work in Kirstenbosch, but life slows down when you come to Stanford, even more than it does when you pop out of the city bustle, and into the Mother City’s botanical gardens. And over the Easter long weekend, would anyone make it out of pyjamas by mid-afternoon in Stanford, let alone into a car and up to a wine farm with sugared-up kids?

Watershed frontman, Craig Hinds, admitted to being unsure whether a Sunday was going to work in Stanford. But luckily for us, it worked a charm and hoards of people turned up to listen to the dulcet tones of one of South Africa’s favourite acoustic bands that has been weaving magic since 2000. Bedouin tents provided shade as people lolled and lounged on picnic blankets and deckchairs, and kids cavorted on the jumping castle and paddled around the waterlily dam. It couldn’t have looked more idyllic – a ‘perfect day, with perfect people,’ Hinds called it. A neighbouring farmer pulled up in a tractor loaded with couches, kids perched on the top of the sturdy swing, and I hastened to spread out my blanky in one of the last remaining central spots. I quickly realised the reason why it was still available was because some early birds had marked out their spots with camping chairs, and were going to partially block my view. But my heart was filled with good vibes and an overriding sense of South African good will – nothing a gentleman’s Panama hat could obscure.

My goodwill faltered when I saw the length of the beer queue, but the peppy team of Stanford Hills barmaids made quick work of it, keeping my good mood intact. And the food trucks handled the crowds with ease, serving tornado-tatoes and other delicious festival-style food.

Watershed kicked off their performance with ‘Close my eyes’ – a solid favourite from the 2006 Mosaic album. Everyone was swept away with the melody, singing along and swaying to the familiar tune. The 1000 strong audience was made up of a delightful mixture of young and old, glamourous and casual,  and the band engaged warmly with the crowd, getting cheers from those from Hermanus, Cape Town, Stanford and even a contingent from the middle of the Free State.

The line-up included a sprinkling of original songs from all the Watershed albums, including Watch the Rain, My love is gone, Nothing about you is the same and Letters, glittering and perfect on a balmy afternoon. And as it was Easter Sunday, a pucker Watershed rendition of Leonard Cohen’s epic Hallelujah seemed fitting. A rhythmic cover of the Waterboys’ Fisherman’s Blues and Counting Crow’s Mr Jones nailed the brief as those audience members who came of age in the 90s sang along. A few couples were spotted busting out some langarm moves on the bank of the dam – always a good sign.

The variety of instruments from the bass and acoustic guitars, drum and violin to the ukelele, tambourine, and harmonica, along with resonant lyrics is what has earned Watershed wide respect and a loyal following across generations. Guest artist Renata Riedemann’s violin added a sound reminiscent of Irish moor mists as well as the jaunty sound of a fiddle. And they saved their first hit, Indigo Girl (2000) for last, delivering it loud and true to the fans. What a superb Sunday afternoon! Step aside Kirstenbosch Summer Concerts because Stanford Hills Estate delivers a top notch open air concert. And we have it on good authority that the team from the Hills is going to keep building their live music line-up, keeping it fresh, proudly South African and strictly full of good vibes.

Thank you to Stellenbrau, sponsors of this Watershed April Road Tour. The beer and the gees was lekker.

Words by Phil Murray